![\"arno\"](\"http:\/\/www.pielnet.fr\/pielweb\/musicapiel\/wp-content\/uploads\/2014\/12\/arno-150x150.gif\")
<\/p>\n<\/p>\n
<\/p>\n
FR<\/strong> \u00ab\u00a0Si vous aimez les films de Fellini, ne manquez pas la \u00abrencontre\u00bb virtuelle avec Piel, fascin\u00e9 par le cirque et arts de la sc\u00e8ne, cr\u00e9ateur d’univers plein de po\u00e9sie, de douceur, de m\u00e9lancolie subtile, exotique, onirique et magique.<\/p>\n Ses compositions rappellent l’intrigue d’une toile d’araign\u00e9e: ses sons a\u00e9r\u00e9s sont limpides (sons cristallins qui sortent d’une poli-instrumentalit\u00e9 \u00e0 l’\u00e9criture fine), mais aussi la composition en elle-m\u00eame, comme une multitude de fils qui sont tiss\u00e9s dans un mod\u00e8le ordonn\u00e9.<\/p>\n Piel a cr\u00e9\u00e9 des diff\u00e9rences dans les harmonies, le contrepoint, les timbres, conduit par une intention narrative, cherchant \u00e0 construire \u00ab\u00a0des histoires de vie ou d’amours\u00a0\u00bbUn langage personnel se d\u00e9gage dans le travail de Piel, issu de beaucoup d’influences diff\u00e9rentes de Nino Rota \u00e0 Bjork, de Debussy \u00e0 Kurt Weill et de la musique yiddish, de Bach et de Schubert. \u00a0\u00bb (…)\u00a0Caterina Venturelli<\/b> blog Peregrinazioni on-line, II (traduit de l’Italien) \u00a0 \u00a0 \u00a0 \u00a0 \u00a0\u00a0http:\/\/caterinaventurelli.myblog.it\/2011\/02\/24\/viaggio-nel-mondo-di-arnaud-jamin\/<\/a><\/i><\/p>\n <\/p>\n <\/p>\n IT<\/strong>\u00a0Se siete amanti dei film di Fellini, non mancate l'\u00a0\u00bbincontro\u00a0\u00bb virtuale con l’autore qui presentato, da sempre affascinato dal mondo circense e dello spettacolo, creatore di un universo di volta in volta intriso di poeticit\u00e0, dolcezza, sottile malinconia, esotismo, atmosfere oniriche e magiche.<\/p>\n Le sue composizioni ricordano la trama di una ragnatela: sono aeree e cristalline (sonorit\u00e0 argentine emergono spesso dalla sua raffinata scrittura polistrumentale), ma anche elaborate, con una moltitudine di fili che si intrecciano in un ordinato disegno.<\/p>\n Piel crea contrasti mediante le armonie, il contrappunto, i timbri, guidato da un intento narrativo, cercando di costruire stories as life or loves .<\/p>\n Nella sua formazione hanno inciso le influenze pi\u00f9 disparate, da Nino Rota a Bjork, da Debussy e Kurt Weill alla musica Yiddish, fino a Bach ea Schubert. All’ascolto dei suoi lavori, si sente qualcosa di ciascuno di questi autori. Si sente per\u00f2 soprattutto Piel, che sintetizza i diversi influssi in un linguaggio personale.\u00a0Caterina Venturelli<\/b>\u00a0blog Peregrinazioni on-line, II \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0<\/i>http:\/\/caterinaventurelli.myblog.it\/2011\/02\/24\/viaggio-nel-mondo-di-arnaud-jamin\/<\/a><\/p>\n <\/p>\n <\/p>\n EN<\/strong> If you are fans of Fellini, don’t miss this \u00ab\u00a0virtual meeting\u00a0\u00bb\u00a0presented here with the author. Fascinated by the worlds of\u00a0the circus and the theatre, Piel is the creator of a universe filled with\u00a0light and poetry, subtle melancholy, exotic, dreamlike and\u00a0magic.<\/p>\n His compositions evoke the intrigue of a spider’s web, his\u00a0airy sounds are limpid (his refined poly-instrumental writing\u00a0ever creating crystalline sounds) and the composition\u00a0itself like a multitude of fine threads woven into a\u00a0structured design.<\/p>\n Piel creates contrast through harmonies, counterpoint and timbre,\u00a0guided by narrative intention, in the invention of stories of life or loves.\u00a0From Nino Rota to Bjork, Debussy to Kurt Weill, Yiddish music,\u00a0Bach and Schubert; all of these influences can be sensed, overwritten\u00a0by Piel’s own personal synthesis.\u00a0Caterina Venturelli<\/i><\/b> blog Peregrinazioni on-line, II \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0\u00a0http:\/\/caterinaventurelli.myblog.it\/2011\/02\/24\/viaggio-nel-mondo-di-arnaud-jamin\/<\/a><\/p>\n <\/p>\n![\"PIEL_logo-1\"](\"http:\/\/www.pielnet.fr\/pielweb\/musicapiel\/wp-content\/uploads\/2014\/12\/PIEL_logo-1-150x150.jpg\"){kind=logo}
<\/a><\/p>\n![\"Haut-Languedoc](\"http:\/\/www.pielnet.fr\/pielweb\/musicapiel\/wp-content\/uploads\/2014\/12\/26_PT_IMG_1885-150x150.jpg\")
<\/a><\/p>\n
![\"IMG_9021NBpielnet\"](\"http:\/\/www.pielnet.fr\/pielweb\/musicapiel\/wp-content\/uploads\/2014\/12\/IMG_9021NBpielnet-150x150.jpg\")
<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"