{"id":202,"date":"2015-02-22T18:42:08","date_gmt":"2015-02-22T17:42:08","guid":{"rendered":"http:\/\/www.pielnet.fr\/carnet\/?p=202"},"modified":"2015-02-28T10:17:10","modified_gmt":"2015-02-28T09:17:10","slug":"compositrices-female-composers","status":"publish","type":"post","link":"https:\/\/www.pielnet.fr\/carnet\/compositrices-female-composers\/","title":{"rendered":"les compositrices"},"content":{"rendered":"<p>&nbsp;<\/p>\n<blockquote><p>\u00a0Raret\u00e9\u00a0??\u00a0et pourtant&#8230; Elles s&rsquo;appellent Alma, Lili, Hildegarde, C\u00e9cile, Rebecca, Louise, Miss Smyth, Nadia, Clara, Fanny, Yvonne&#8230; les compositrices (et oui c&rsquo;est comme \u00e7a que l&rsquo;on dit) sont bel(le) et bien pr\u00e9sentEs et d&rsquo;une sensibilt\u00e9 -s\u00fbrement- f\u00e9minine. En tous cas, je suis sous le charme de ce que j&rsquo;ai pu collecter, et \u00e7a m&rsquo;a donn\u00e9 un bon pr\u00e9texte pour explorer, \u00e9couter, d\u00e9couvrir ou red\u00e9couvrir, voyager. S\u00e9lection :<\/p><\/blockquote>\n<p>&nbsp;<\/p>\n<figure id=\"attachment_236\" aria-describedby=\"caption-attachment-236\" style=\"width: 150px\" class=\"wp-caption aligncenter\"><a href=\"http:\/\/www.pielnet.fr\/carnet\/wp-content\/uploads\/2015\/02\/C\u00e9cile_Chaminade.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"size-thumbnail wp-image-236\" src=\"http:\/\/www.pielnet.fr\/carnet\/wp-content\/uploads\/2015\/02\/C\u00e9cile_Chaminade-150x150.jpg\" alt=\"C\u00e9cile Chaminade\" width=\"150\" height=\"150\" \/><\/a><figcaption id=\"caption-attachment-236\" class=\"wp-caption-text\">C\u00e9cile Chaminade<\/figcaption><\/figure>\n<p style=\"text-align: center;\"><strong>C\u00e9cile Chaminade<\/strong>\u00a0(1857-1944)\u00a0&#8211;\u00a0Concertino pour fl\u00fbte opus 107<\/p>\n<p style=\"text-align: center;\"><iframe loading=\"lazy\" src=\"https:\/\/www.youtube.com\/embed\/6G69EIzGblY?rel=0&amp;showinfo=0\" width=\"560\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/p>\n<p style=\"text-align: center;\">Earl Haig Secondary School, Canada<\/p>\n<p style=\"text-align: center;\"><strong>C\u00e9cile Chaminade<\/strong>\u00a0(1857-1944)\u00a0&#8211;\u00a0Automne op. 35, n\u00b02<\/p>\n<p style=\"text-align: center;\"><iframe loading=\"lazy\" src=\"https:\/\/www.youtube.com\/embed\/to9j45EVBb8?rel=0&amp;showinfo=0\" width=\"560\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/p>\n<p style=\"text-align: center;\">Piano : J\u00e9r\u00f4me Ducros &#8211; Th\u00e9\u00e2tre du Ch\u00e2telet, Paris 2009<\/p>\n<hr \/>\n<figure id=\"attachment_235\" aria-describedby=\"caption-attachment-235\" style=\"width: 150px\" class=\"wp-caption aligncenter\"><a href=\"http:\/\/www.pielnet.fr\/carnet\/wp-content\/uploads\/2015\/02\/Fannymendelssohn-improved.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"size-thumbnail wp-image-235\" src=\"http:\/\/www.pielnet.fr\/carnet\/wp-content\/uploads\/2015\/02\/Fannymendelssohn-improved-150x150.jpg\" alt=\"Fanny Mendelssohn\" width=\"150\" height=\"150\" \/><\/a><figcaption id=\"caption-attachment-235\" class=\"wp-caption-text\">Fanny Mendelssohn<\/figcaption><\/figure>\n<p style=\"text-align: center;\"><strong>Fanny Mendelssohn<\/strong>\u00a0(1805 \u2013 1847) &#8211; Hensel Nocturne en Sol mineur<\/p>\n<p style=\"text-align: center;\"><iframe loading=\"lazy\" src=\"https:\/\/www.youtube.com\/embed\/ti1eZ2B63Ro?rel=0&amp;showinfo=0\" width=\"420\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/p>\n<hr \/>\n<figure id=\"attachment_247\" aria-describedby=\"caption-attachment-247\" style=\"width: 150px\" class=\"wp-caption aligncenter\"><a href=\"http:\/\/www.pielnet.fr\/carnet\/wp-content\/uploads\/2015\/02\/640px-Hildegard_von_Bingen.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"size-thumbnail wp-image-247\" src=\"http:\/\/www.pielnet.fr\/carnet\/wp-content\/uploads\/2015\/02\/640px-Hildegard_von_Bingen-150x150.jpg\" alt=\"Hildegard von Bingen\" width=\"150\" height=\"150\" \/><\/a><figcaption id=\"caption-attachment-247\" class=\"wp-caption-text\">Hildegard von Bingen<\/figcaption><\/figure>\n<p style=\"text-align: center;\"><strong>Hildegard von bingen<\/strong>\u00a0(1098 \u2013 1179) &#8211; O vis aeternitatis<\/p>\n<p style=\"text-align: center;\"><iframe loading=\"lazy\" src=\"https:\/\/www.youtube.com\/embed\/9eFPJa95qQE?rel=0&amp;showinfo=0\" width=\"420\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/p>\n<p style=\"text-align: center;\">Hildegard von bingen- O vis aeternitatis- Cantides of Ectasy sequantia- Chants de l&rsquo;extase<\/p>\n<hr \/>\n<figure id=\"attachment_206\" aria-describedby=\"caption-attachment-206\" style=\"width: 150px\" class=\"wp-caption aligncenter\"><a href=\"http:\/\/www.pielnet.fr\/carnet\/wp-content\/uploads\/2015\/02\/800px-Lili_Boulanger.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"wp-image-206 size-thumbnail\" src=\"http:\/\/www.pielnet.fr\/carnet\/wp-content\/uploads\/2015\/02\/800px-Lili_Boulanger-150x150.jpg\" alt=\"800px-Lili_Boulanger\" width=\"150\" height=\"150\" \/><\/a><figcaption id=\"caption-attachment-206\" class=\"wp-caption-text\">Lili Boulanger<\/figcaption><\/figure>\n<p style=\"text-align: center;\"><strong>Lili Boulanger<\/strong>\u00a0(1893-1918)\u00a0&#8211; Hymne au Soleil<\/p>\n<p style=\"text-align: center;\"><iframe loading=\"lazy\" src=\"https:\/\/www.youtube.com\/embed\/Vw2jX63NLss?rel=0&amp;showinfo=0\" width=\"560\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/p>\n<p style=\"text-align: center;\">Bob Cole Conservatory of Music, at California State University, Long Beach The CSULB University Choir &#8211;\u00a0Olga Spriggs &#8211; Conductor<\/p>\n<p style=\"text-align: center;\"><strong>Lili Boulanger<\/strong>\u00a0(1893-1918)\u00a0&#8211;\u00a0Clairi\u00e8res dans le ciel (1915)<\/p>\n<p style=\"text-align: center;\"><iframe loading=\"lazy\" src=\"https:\/\/www.youtube.com\/embed\/jguzDNqTX7s?rel=0&amp;showinfo=0\" width=\"420\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/p>\n<hr \/>\n<figure id=\"attachment_234\" aria-describedby=\"caption-attachment-234\" style=\"width: 150px\" class=\"wp-caption aligncenter\"><a href=\"http:\/\/www.pielnet.fr\/carnet\/wp-content\/uploads\/2015\/02\/800px-Louise_Farrenc.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"size-thumbnail wp-image-234\" src=\"http:\/\/www.pielnet.fr\/carnet\/wp-content\/uploads\/2015\/02\/800px-Louise_Farrenc-150x150.jpg\" alt=\"Louise Farrenc\" width=\"150\" height=\"150\" \/><\/a><figcaption id=\"caption-attachment-234\" class=\"wp-caption-text\">Louise Farrenc<\/figcaption><\/figure>\n<p style=\"text-align: center;\"><strong>Louise Farrenc<\/strong> (1804-1875) &#8211;\u00a0<em>Air russe vari\u00e9, Op. 17<\/em><\/p>\n<p style=\"text-align: center;\"><iframe loading=\"lazy\" src=\"https:\/\/www.youtube.com\/embed\/LP7lebd7BvM?rel=0&amp;showinfo=0\" width=\"560\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/p>\n<hr \/>\n<figure id=\"attachment_233\" aria-describedby=\"caption-attachment-233\" style=\"width: 150px\" class=\"wp-caption aligncenter\"><a href=\"http:\/\/www.pielnet.fr\/carnet\/wp-content\/uploads\/2015\/02\/ClarkeViola.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"size-thumbnail wp-image-233\" src=\"http:\/\/www.pielnet.fr\/carnet\/wp-content\/uploads\/2015\/02\/ClarkeViola-150x150.jpg\" alt=\"Rebecca Clarke\" width=\"150\" height=\"150\" srcset=\"https:\/\/www.pielnet.fr\/carnet\/wp-content\/uploads\/2015\/02\/ClarkeViola-150x150.jpg 150w, https:\/\/www.pielnet.fr\/carnet\/wp-content\/uploads\/2015\/02\/ClarkeViola-220x220.jpg 220w\" sizes=\"auto, (max-width: 150px) 100vw, 150px\" \/><\/a><figcaption id=\"caption-attachment-233\" class=\"wp-caption-text\">Rebecca Clarke<\/figcaption><\/figure>\n<p style=\"text-align: center;\"><strong>Rebecca Clarke\u00a0<\/strong>(1886 &#8211;\u00a01979) &#8211; Midsummer Moon<\/p>\n<p style=\"text-align: center;\"><iframe loading=\"lazy\" src=\"https:\/\/www.youtube.com\/embed\/FIfX1UbZV0I?showinfo=0\" width=\"560\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/p>\n<p style=\"text-align: center;\">Midsummer Moon &#8211;\u00a0Lorraine McAslan Violin &#8211;\u00a0Ian Jones Piano<\/p>\n<p style=\"text-align: center;\"><strong>Rebecca Clarke\u00a0<\/strong>(1886 &#8211;\u00a01979) &#8211; Theme and Variations part 1<\/p>\n<p style=\"text-align: center;\"><iframe loading=\"lazy\" src=\"https:\/\/www.youtube.com\/embed\/iE8eKD2TvvA?showinfo=0\" width=\"560\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/p>\n<p style=\"text-align: center;\">Ian Jones Piano<\/p>\n<p style=\"text-align: center;\"><strong>Rebecca Clarke\u00a0<\/strong>(1886 &#8211;\u00a01979) &#8211; Theme and Variations part 2<\/p>\n<p style=\"text-align: center;\"><iframe loading=\"lazy\" src=\"https:\/\/www.youtube.com\/embed\/0KVVYK41ZVc?showinfo=0\" width=\"560\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/p>\n<p style=\"text-align: center;\">Ian Jones Piano<\/p>\n<hr \/>\n<figure id=\"attachment_232\" aria-describedby=\"caption-attachment-232\" style=\"width: 150px\" class=\"wp-caption aligncenter\"><a href=\"http:\/\/www.pielnet.fr\/carnet\/wp-content\/uploads\/2015\/02\/220px-Clara_Schumann_Andreas_Staub_freigestellt.png\"><img loading=\"lazy\" decoding=\"async\" class=\"size-thumbnail wp-image-232\" src=\"http:\/\/www.pielnet.fr\/carnet\/wp-content\/uploads\/2015\/02\/220px-Clara_Schumann_Andreas_Staub_freigestellt-150x150.png\" alt=\"Clara Schumann\" width=\"150\" height=\"150\" srcset=\"https:\/\/www.pielnet.fr\/carnet\/wp-content\/uploads\/2015\/02\/220px-Clara_Schumann_Andreas_Staub_freigestellt-150x150.png 150w, https:\/\/www.pielnet.fr\/carnet\/wp-content\/uploads\/2015\/02\/220px-Clara_Schumann_Andreas_Staub_freigestellt-220x220.png 220w\" sizes=\"auto, (max-width: 150px) 100vw, 150px\" \/><\/a><figcaption id=\"caption-attachment-232\" class=\"wp-caption-text\">Clara Schumann<\/figcaption><\/figure>\n<p style=\"text-align: center;\"><strong>Clara Schumann<\/strong>\u00a0(1819 &#8211; 1896)\u00a0&#8211; Romance op. 11 no. 1<\/p>\n<p style=\"text-align: center;\"><iframe loading=\"lazy\" src=\"https:\/\/www.youtube.com\/embed\/1L3WPzNr-og?rel=0&amp;showinfo=0\" width=\"560\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/p>\n<p style=\"text-align: center;\">Tomer Lev &#8211; Piano &#8211;\u00a0Live performance Israeli Radio Jerusalem &#8211; Henri Crown Symphony Hall<\/p>\n<hr \/>\n<figure id=\"attachment_231\" aria-describedby=\"caption-attachment-231\" style=\"width: 150px\" class=\"wp-caption aligncenter\"><a href=\"http:\/\/www.pielnet.fr\/carnet\/wp-content\/uploads\/2015\/02\/Nadia_Boulanger_1925.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"size-thumbnail wp-image-231\" src=\"http:\/\/www.pielnet.fr\/carnet\/wp-content\/uploads\/2015\/02\/Nadia_Boulanger_1925-150x150.jpg\" alt=\"Nadia Boulanger\" width=\"150\" height=\"150\" \/><\/a><figcaption id=\"caption-attachment-231\" class=\"wp-caption-text\">Nadia Boulanger<\/figcaption><\/figure>\n<p style=\"text-align: center;\"><strong>Nadia Boulanger <\/strong>(1887 &#8211; 1979 ) &#8211; Trois pi\u00e8ces<\/p>\n<p style=\"text-align: center;\"><iframe loading=\"lazy\" src=\"https:\/\/www.youtube.com\/embed\/YfcUkVbyy9M?rel=0&amp;showinfo=0\" width=\"560\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/p>\n<p style=\"text-align: center;\">Dora Kuzmin, cello &#8211;\u00a0Petra Gilming, piano<\/p>\n<hr \/>\n<figure id=\"attachment_230\" aria-describedby=\"caption-attachment-230\" style=\"width: 150px\" class=\"wp-caption aligncenter\"><a href=\"http:\/\/www.pielnet.fr\/carnet\/wp-content\/uploads\/2015\/02\/Ethel_Smyth.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"size-thumbnail wp-image-230\" src=\"http:\/\/www.pielnet.fr\/carnet\/wp-content\/uploads\/2015\/02\/Ethel_Smyth-150x150.jpg\" alt=\"Ethel Smyth\" width=\"150\" height=\"150\" \/><\/a><figcaption id=\"caption-attachment-230\" class=\"wp-caption-text\">Ethel Smyth<\/figcaption><\/figure>\n<p style=\"text-align: center;\"><strong>Ethel Smyth <\/strong>(1858 &#8211; 1949)\u00a0&#8211; Cello Sonata Op.5 (3 mouvements)<\/p>\n<p style=\"text-align: center;\"><iframe loading=\"lazy\" src=\"https:\/\/www.youtube.com\/embed\/PkASGaslaA0?rel=0&amp;showinfo=0\" width=\"420\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/p>\n<p style=\"text-align: center;\"><iframe loading=\"lazy\" src=\"https:\/\/www.youtube.com\/embed\/JsGUCiboyF4?rel=0&amp;showinfo=0\" width=\"420\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/p>\n<p style=\"text-align: center;\"><iframe loading=\"lazy\" src=\"https:\/\/www.youtube.com\/embed\/UOmKmHJv66I?rel=0&amp;showinfo=0\" width=\"420\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/p>\n<p style=\"text-align: center;\">Martin Roscoe\/ Moray Welsh<\/p>\n<p>&nbsp;<\/p>\n<hr \/>\n<figure id=\"attachment_229\" aria-describedby=\"caption-attachment-229\" style=\"width: 150px\" class=\"wp-caption aligncenter\"><a href=\"http:\/\/www.pielnet.fr\/carnet\/wp-content\/uploads\/2015\/02\/Yvonne_Desportes_1930.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"size-thumbnail wp-image-229\" src=\"http:\/\/www.pielnet.fr\/carnet\/wp-content\/uploads\/2015\/02\/Yvonne_Desportes_1930-150x150.jpg\" alt=\"Yvonne Desportes\" width=\"150\" height=\"150\" \/><\/a><figcaption id=\"caption-attachment-229\" class=\"wp-caption-text\">Yvonne Desportes<\/figcaption><\/figure>\n<p style=\"text-align: center;\"><strong>Yvonne Desportes<\/strong> (1907 &#8211; 1993) &#8211; Naissance d&rsquo;un papillon pour clarinette seule<\/p>\n<p style=\"text-align: center;\"><iframe loading=\"lazy\" src=\"https:\/\/www.youtube.com\/embed\/NGW_masQ1X4?rel=0&amp;showinfo=0\" width=\"420\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/p>\n<p style=\"text-align: center;\">Guy Dangain, clarinette<\/p>\n<p style=\"text-align: center;\">\u00a0etc&#8230; d&rsquo;autres en classique et plus encore en contemporain.. peut-\u00eatre l&rsquo;objet d&rsquo;un futur billet.<\/p>\n<hr \/>\n<figure id=\"attachment_251\" aria-describedby=\"caption-attachment-251\" style=\"width: 150px\" class=\"wp-caption aligncenter\"><a href=\"http:\/\/www.pielnet.fr\/carnet\/wp-content\/uploads\/2015\/02\/220px-Alma_Mahler_1899.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"size-thumbnail wp-image-251\" src=\"http:\/\/www.pielnet.fr\/carnet\/wp-content\/uploads\/2015\/02\/220px-Alma_Mahler_1899-150x150.jpg\" alt=\"Alma Mahler\" width=\"150\" height=\"150\" srcset=\"https:\/\/www.pielnet.fr\/carnet\/wp-content\/uploads\/2015\/02\/220px-Alma_Mahler_1899-150x150.jpg 150w, https:\/\/www.pielnet.fr\/carnet\/wp-content\/uploads\/2015\/02\/220px-Alma_Mahler_1899-220x220.jpg 220w\" sizes=\"auto, (max-width: 150px) 100vw, 150px\" \/><\/a><figcaption id=\"caption-attachment-251\" class=\"wp-caption-text\">Alma Mahler<\/figcaption><\/figure>\n<p style=\"text-align: center;\"><strong>Alma Mahler &#8211; Schindler<\/strong> (1879 &#8211; 1964) &#8211; \u00ab\u00a0Hymne \u00a0\u00bb (Novalis)<\/p>\n<p style=\"text-align: center;\"><iframe loading=\"lazy\" src=\"https:\/\/www.youtube.com\/embed\/uDWCDcqfXOY?rel=0&amp;showinfo=0\" width=\"420\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/p>\n<p style=\"text-align: center;\">Alma SCHINDLER-MAHLER \u00ab\u00a0Hymne\u00a0\u00bb (Novalis)<br \/>\nClaudie VERHAEGHE-MICAULT, Soprano<br \/>\nPierre ETCHEVERRY, Piano<\/p>\n<p style=\"text-align: center;\"><strong>Alma Mahler &#8211; Schindler<\/strong> (1879 &#8211; 1964) &#8211; Bei Dir ist es traut (Rilke) 4\u00e9me lieder<\/p>\n<p style=\"text-align: center;\"><iframe loading=\"lazy\" src=\"https:\/\/www.youtube.com\/embed\/2mLkmunZ2YI?rel=0&amp;showinfo=0\" width=\"420\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/p>\n<p style=\"text-align: center;\">AClaudie VERHAEGHE, soprano &#8211; Jean MICAULT, piano<\/p>\n<hr \/>\n<figure id=\"attachment_204\" aria-describedby=\"caption-attachment-204\" style=\"width: 150px\" class=\"wp-caption aligncenter\"><a href=\"http:\/\/www.pielnet.fr\/carnet\/wp-content\/uploads\/2015\/02\/Claudel_Sirene_Nog.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"size-thumbnail wp-image-204\" src=\"http:\/\/www.pielnet.fr\/carnet\/wp-content\/uploads\/2015\/02\/Claudel_Sirene_Nog-150x150.jpg\" alt=\"Sirene\" width=\"150\" height=\"150\" \/><\/a><figcaption id=\"caption-attachment-204\" class=\"wp-caption-text\">Camille Claudel 1864-1943 bronze Mus\u00e9e Camille Claudel<\/figcaption><\/figure>\n<p style=\"text-align: center;\">en UNE : Sir\u00e8ne &#8211; ou la joueuse de fl\u00fbte, Bronze de Camille Claudel au mus\u00e9e du m\u00eame nom<\/p>\n<hr \/>\n","protected":false},"excerpt":{"rendered":"<p>&nbsp; \u00a0Raret\u00e9\u00a0??\u00a0et pourtant&#8230; Elles s&rsquo;appellent Alma, Lili, Hildegarde, C\u00e9cile, Rebecca, Louise, Miss Smyth, Nadia, Clara, Fanny, Yvonne&#8230; les compositrices (et oui c&rsquo;est comme \u00e7a que l&rsquo;on dit) sont bel(le) et bien pr\u00e9sentEs et d&rsquo;une sensibilt\u00e9 -s\u00fbrement- f\u00e9minine. En tous cas, je suis sous le charme de ce que j&rsquo;ai pu collecter, et \u00e7a m&rsquo;a donn\u00e9 [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":211,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"audio","meta":{"footnotes":""},"categories":[20],"tags":[167,166,162,158,153,156,144,143,160,151,145,163,142,165,152,157,146,164,159,150,155,147,161],"class_list":["post-202","post","type-post","status-publish","format-audio","has-post-thumbnail","hentry","category-a-noter","tag-alma","tag-alma-mahler-schindler","tag-art","tag-cecile-chaminade","tag-clara","tag-clara-schumann","tag-compositeuse","tag-compostrice","tag-ethel-smyth","tag-fanny-mendelssohn","tag-female-composers","tag-feminin","tag-femme","tag-hildegard-von-bingen","tag-lili-boulanger","tag-louise-farrenc","tag-music","tag-musique-classique","tag-nadia-boulanger","tag-rare","tag-rebecca-clarke","tag-rodin","tag-yvonne-desportes","post_format-post-format-audio"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v26.7 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>les compositrices - le carnet - Piel<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.pielnet.fr\/carnet\/compositrices-female-composers\/\" \/>\n<meta property=\"og:locale\" content=\"fr_FR\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"les compositrices - le carnet - Piel\" \/>\n<meta property=\"og:description\" content=\"&nbsp; \u00a0Raret\u00e9\u00a0??\u00a0et pourtant&#8230; Elles s&rsquo;appellent Alma, Lili, Hildegarde, C\u00e9cile, Rebecca, Louise, Miss Smyth, Nadia, Clara, Fanny, Yvonne&#8230; les compositrices (et oui c&rsquo;est comme \u00e7a que l&rsquo;on dit) sont bel(le) et bien pr\u00e9sentEs et d&rsquo;une sensibilt\u00e9 -s\u00fbrement- f\u00e9minine. En tous cas, je suis sous le charme de ce que j&rsquo;ai pu collecter, et \u00e7a m&rsquo;a donn\u00e9 [&hellip;]\" \/>\n<meta property=\"og:url\" content=\"https:\/\/www.pielnet.fr\/carnet\/compositrices-female-composers\/\" \/>\n<meta property=\"og:site_name\" content=\"le carnet - Piel\" \/>\n<meta property=\"article:published_time\" content=\"2015-02-22T17:42:08+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2015-02-28T09:17:10+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/www.pielnet.fr\/carnet\/wp-content\/uploads\/2015\/02\/Claudel_Sirene_GD1.jpg\" \/>\n\t<meta property=\"og:image:width\" content=\"1050\" \/>\n\t<meta property=\"og:image:height\" content=\"540\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"author\" content=\"arnopiel\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:label1\" content=\"\u00c9crit par\" \/>\n\t<meta name=\"twitter:data1\" content=\"arnopiel\" \/>\n\t<meta name=\"twitter:label2\" content=\"Dur\u00e9e de lecture estim\u00e9e\" \/>\n\t<meta name=\"twitter:data2\" content=\"2 minutes\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\/\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\/\/www.pielnet.fr\/carnet\/compositrices-female-composers\/#article\",\"isPartOf\":{\"@id\":\"https:\/\/www.pielnet.fr\/carnet\/compositrices-female-composers\/\"},\"author\":{\"name\":\"arnopiel\",\"@id\":\"https:\/\/www.pielnet.fr\/carnet\/#\/schema\/person\/7c09d20dd138514cf3647ce37f1f755d\"},\"headline\":\"les compositrices\",\"datePublished\":\"2015-02-22T17:42:08+00:00\",\"dateModified\":\"2015-02-28T09:17:10+00:00\",\"mainEntityOfPage\":{\"@id\":\"https:\/\/www.pielnet.fr\/carnet\/compositrices-female-composers\/\"},\"wordCount\":489,\"commentCount\":0,\"publisher\":{\"@id\":\"https:\/\/www.pielnet.fr\/carnet\/#\/schema\/person\/7c09d20dd138514cf3647ce37f1f755d\"},\"image\":{\"@id\":\"https:\/\/www.pielnet.fr\/carnet\/compositrices-female-composers\/#primaryimage\"},\"thumbnailUrl\":\"https:\/\/www.pielnet.fr\/carnet\/wp-content\/uploads\/2015\/02\/Claudel_Sirene_GD1.jpg\",\"keywords\":[\"Alma\",\"alma Mahler - Schindler\",\"art\",\"C\u00e9cile Chaminade\",\"clara\",\"Clara Schumann\",\"compositeuse\",\"compostrice\",\"Ethel Smyth\",\"Fanny Mendelssohn\",\"female composers\",\"f\u00e9minin\",\"femme\",\"Hildegard von bingen\",\"lili boulanger\",\"Louise Farrenc\",\"music\",\"musique classique\",\"Nadia Boulanger\",\"rare\",\"Rebecca Clarke\",\"rodin\",\"Yvonne Desportes\"],\"articleSection\":[\"A noter\"],\"inLanguage\":\"fr-FR\",\"potentialAction\":[{\"@type\":\"CommentAction\",\"name\":\"Comment\",\"target\":[\"https:\/\/www.pielnet.fr\/carnet\/compositrices-female-composers\/#respond\"]}]},{\"@type\":\"WebPage\",\"@id\":\"https:\/\/www.pielnet.fr\/carnet\/compositrices-female-composers\/\",\"url\":\"https:\/\/www.pielnet.fr\/carnet\/compositrices-female-composers\/\",\"name\":\"les compositrices - le carnet - Piel\",\"isPartOf\":{\"@id\":\"https:\/\/www.pielnet.fr\/carnet\/#website\"},\"primaryImageOfPage\":{\"@id\":\"https:\/\/www.pielnet.fr\/carnet\/compositrices-female-composers\/#primaryimage\"},\"image\":{\"@id\":\"https:\/\/www.pielnet.fr\/carnet\/compositrices-female-composers\/#primaryimage\"},\"thumbnailUrl\":\"https:\/\/www.pielnet.fr\/carnet\/wp-content\/uploads\/2015\/02\/Claudel_Sirene_GD1.jpg\",\"datePublished\":\"2015-02-22T17:42:08+00:00\",\"dateModified\":\"2015-02-28T09:17:10+00:00\",\"breadcrumb\":{\"@id\":\"https:\/\/www.pielnet.fr\/carnet\/compositrices-female-composers\/#breadcrumb\"},\"inLanguage\":\"fr-FR\",\"potentialAction\":[{\"@type\":\"ReadAction\",\"target\":[\"https:\/\/www.pielnet.fr\/carnet\/compositrices-female-composers\/\"]}]},{\"@type\":\"ImageObject\",\"inLanguage\":\"fr-FR\",\"@id\":\"https:\/\/www.pielnet.fr\/carnet\/compositrices-female-composers\/#primaryimage\",\"url\":\"https:\/\/www.pielnet.fr\/carnet\/wp-content\/uploads\/2015\/02\/Claudel_Sirene_GD1.jpg\",\"contentUrl\":\"https:\/\/www.pielnet.fr\/carnet\/wp-content\/uploads\/2015\/02\/Claudel_Sirene_GD1.jpg\",\"width\":1050,\"height\":540},{\"@type\":\"BreadcrumbList\",\"@id\":\"https:\/\/www.pielnet.fr\/carnet\/compositrices-female-composers\/#breadcrumb\",\"itemListElement\":[{\"@type\":\"ListItem\",\"position\":1,\"name\":\"Accueil\",\"item\":\"https:\/\/www.pielnet.fr\/carnet\/\"},{\"@type\":\"ListItem\",\"position\":2,\"name\":\"les compositrices\"}]},{\"@type\":\"WebSite\",\"@id\":\"https:\/\/www.pielnet.fr\/carnet\/#website\",\"url\":\"https:\/\/www.pielnet.fr\/carnet\/\",\"name\":\"le carnet - Piel\",\"description\":\"R\u00e9cits &amp; Territoires - Raconter en images les r\u00e9cits du sensible\",\"publisher\":{\"@id\":\"https:\/\/www.pielnet.fr\/carnet\/#\/schema\/person\/7c09d20dd138514cf3647ce37f1f755d\"},\"potentialAction\":[{\"@type\":\"SearchAction\",\"target\":{\"@type\":\"EntryPoint\",\"urlTemplate\":\"https:\/\/www.pielnet.fr\/carnet\/?s={search_term_string}\"},\"query-input\":{\"@type\":\"PropertyValueSpecification\",\"valueRequired\":true,\"valueName\":\"search_term_string\"}}],\"inLanguage\":\"fr-FR\"},{\"@type\":[\"Person\",\"Organization\"],\"@id\":\"https:\/\/www.pielnet.fr\/carnet\/#\/schema\/person\/7c09d20dd138514cf3647ce37f1f755d\",\"name\":\"arnopiel\",\"image\":{\"@type\":\"ImageObject\",\"inLanguage\":\"fr-FR\",\"@id\":\"https:\/\/www.pielnet.fr\/carnet\/#\/schema\/person\/image\/\",\"url\":\"https:\/\/www.pielnet.fr\/carnet\/wp-content\/uploads\/2021\/01\/IMG_20201212_150932.jpg\",\"contentUrl\":\"https:\/\/www.pielnet.fr\/carnet\/wp-content\/uploads\/2021\/01\/IMG_20201212_150932.jpg\",\"width\":1432,\"height\":1432,\"caption\":\"arnopiel\"},\"logo\":{\"@id\":\"https:\/\/www.pielnet.fr\/carnet\/#\/schema\/person\/image\/\"}}]}<\/script>\n<!-- \/ Yoast SEO plugin. -->","yoast_head_json":{"title":"les compositrices - le carnet - Piel","robots":{"index":"index","follow":"follow","max-snippet":"max-snippet:-1","max-image-preview":"max-image-preview:large","max-video-preview":"max-video-preview:-1"},"canonical":"https:\/\/www.pielnet.fr\/carnet\/compositrices-female-composers\/","og_locale":"fr_FR","og_type":"article","og_title":"les compositrices - le carnet - Piel","og_description":"&nbsp; \u00a0Raret\u00e9\u00a0??\u00a0et pourtant&#8230; Elles s&rsquo;appellent Alma, Lili, Hildegarde, C\u00e9cile, Rebecca, Louise, Miss Smyth, Nadia, Clara, Fanny, Yvonne&#8230; les compositrices (et oui c&rsquo;est comme \u00e7a que l&rsquo;on dit) sont bel(le) et bien pr\u00e9sentEs et d&rsquo;une sensibilt\u00e9 -s\u00fbrement- f\u00e9minine. En tous cas, je suis sous le charme de ce que j&rsquo;ai pu collecter, et \u00e7a m&rsquo;a donn\u00e9 [&hellip;]","og_url":"https:\/\/www.pielnet.fr\/carnet\/compositrices-female-composers\/","og_site_name":"le carnet - Piel","article_published_time":"2015-02-22T17:42:08+00:00","article_modified_time":"2015-02-28T09:17:10+00:00","og_image":[{"width":1050,"height":540,"url":"https:\/\/www.pielnet.fr\/carnet\/wp-content\/uploads\/2015\/02\/Claudel_Sirene_GD1.jpg","type":"image\/jpeg"}],"author":"arnopiel","twitter_card":"summary_large_image","twitter_misc":{"\u00c9crit par":"arnopiel","Dur\u00e9e de lecture estim\u00e9e":"2 minutes"},"schema":{"@context":"https:\/\/schema.org","@graph":[{"@type":"Article","@id":"https:\/\/www.pielnet.fr\/carnet\/compositrices-female-composers\/#article","isPartOf":{"@id":"https:\/\/www.pielnet.fr\/carnet\/compositrices-female-composers\/"},"author":{"name":"arnopiel","@id":"https:\/\/www.pielnet.fr\/carnet\/#\/schema\/person\/7c09d20dd138514cf3647ce37f1f755d"},"headline":"les compositrices","datePublished":"2015-02-22T17:42:08+00:00","dateModified":"2015-02-28T09:17:10+00:00","mainEntityOfPage":{"@id":"https:\/\/www.pielnet.fr\/carnet\/compositrices-female-composers\/"},"wordCount":489,"commentCount":0,"publisher":{"@id":"https:\/\/www.pielnet.fr\/carnet\/#\/schema\/person\/7c09d20dd138514cf3647ce37f1f755d"},"image":{"@id":"https:\/\/www.pielnet.fr\/carnet\/compositrices-female-composers\/#primaryimage"},"thumbnailUrl":"https:\/\/www.pielnet.fr\/carnet\/wp-content\/uploads\/2015\/02\/Claudel_Sirene_GD1.jpg","keywords":["Alma","alma Mahler - Schindler","art","C\u00e9cile Chaminade","clara","Clara Schumann","compositeuse","compostrice","Ethel Smyth","Fanny Mendelssohn","female composers","f\u00e9minin","femme","Hildegard von bingen","lili boulanger","Louise Farrenc","music","musique classique","Nadia Boulanger","rare","Rebecca Clarke","rodin","Yvonne Desportes"],"articleSection":["A noter"],"inLanguage":"fr-FR","potentialAction":[{"@type":"CommentAction","name":"Comment","target":["https:\/\/www.pielnet.fr\/carnet\/compositrices-female-composers\/#respond"]}]},{"@type":"WebPage","@id":"https:\/\/www.pielnet.fr\/carnet\/compositrices-female-composers\/","url":"https:\/\/www.pielnet.fr\/carnet\/compositrices-female-composers\/","name":"les compositrices - le carnet - Piel","isPartOf":{"@id":"https:\/\/www.pielnet.fr\/carnet\/#website"},"primaryImageOfPage":{"@id":"https:\/\/www.pielnet.fr\/carnet\/compositrices-female-composers\/#primaryimage"},"image":{"@id":"https:\/\/www.pielnet.fr\/carnet\/compositrices-female-composers\/#primaryimage"},"thumbnailUrl":"https:\/\/www.pielnet.fr\/carnet\/wp-content\/uploads\/2015\/02\/Claudel_Sirene_GD1.jpg","datePublished":"2015-02-22T17:42:08+00:00","dateModified":"2015-02-28T09:17:10+00:00","breadcrumb":{"@id":"https:\/\/www.pielnet.fr\/carnet\/compositrices-female-composers\/#breadcrumb"},"inLanguage":"fr-FR","potentialAction":[{"@type":"ReadAction","target":["https:\/\/www.pielnet.fr\/carnet\/compositrices-female-composers\/"]}]},{"@type":"ImageObject","inLanguage":"fr-FR","@id":"https:\/\/www.pielnet.fr\/carnet\/compositrices-female-composers\/#primaryimage","url":"https:\/\/www.pielnet.fr\/carnet\/wp-content\/uploads\/2015\/02\/Claudel_Sirene_GD1.jpg","contentUrl":"https:\/\/www.pielnet.fr\/carnet\/wp-content\/uploads\/2015\/02\/Claudel_Sirene_GD1.jpg","width":1050,"height":540},{"@type":"BreadcrumbList","@id":"https:\/\/www.pielnet.fr\/carnet\/compositrices-female-composers\/#breadcrumb","itemListElement":[{"@type":"ListItem","position":1,"name":"Accueil","item":"https:\/\/www.pielnet.fr\/carnet\/"},{"@type":"ListItem","position":2,"name":"les compositrices"}]},{"@type":"WebSite","@id":"https:\/\/www.pielnet.fr\/carnet\/#website","url":"https:\/\/www.pielnet.fr\/carnet\/","name":"le carnet - Piel","description":"R\u00e9cits &amp; Territoires - Raconter en images les r\u00e9cits du sensible","publisher":{"@id":"https:\/\/www.pielnet.fr\/carnet\/#\/schema\/person\/7c09d20dd138514cf3647ce37f1f755d"},"potentialAction":[{"@type":"SearchAction","target":{"@type":"EntryPoint","urlTemplate":"https:\/\/www.pielnet.fr\/carnet\/?s={search_term_string}"},"query-input":{"@type":"PropertyValueSpecification","valueRequired":true,"valueName":"search_term_string"}}],"inLanguage":"fr-FR"},{"@type":["Person","Organization"],"@id":"https:\/\/www.pielnet.fr\/carnet\/#\/schema\/person\/7c09d20dd138514cf3647ce37f1f755d","name":"arnopiel","image":{"@type":"ImageObject","inLanguage":"fr-FR","@id":"https:\/\/www.pielnet.fr\/carnet\/#\/schema\/person\/image\/","url":"https:\/\/www.pielnet.fr\/carnet\/wp-content\/uploads\/2021\/01\/IMG_20201212_150932.jpg","contentUrl":"https:\/\/www.pielnet.fr\/carnet\/wp-content\/uploads\/2021\/01\/IMG_20201212_150932.jpg","width":1432,"height":1432,"caption":"arnopiel"},"logo":{"@id":"https:\/\/www.pielnet.fr\/carnet\/#\/schema\/person\/image\/"}}]}},"_links":{"self":[{"href":"https:\/\/www.pielnet.fr\/carnet\/wp-json\/wp\/v2\/posts\/202","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.pielnet.fr\/carnet\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.pielnet.fr\/carnet\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.pielnet.fr\/carnet\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.pielnet.fr\/carnet\/wp-json\/wp\/v2\/comments?post=202"}],"version-history":[{"count":40,"href":"https:\/\/www.pielnet.fr\/carnet\/wp-json\/wp\/v2\/posts\/202\/revisions"}],"predecessor-version":[{"id":304,"href":"https:\/\/www.pielnet.fr\/carnet\/wp-json\/wp\/v2\/posts\/202\/revisions\/304"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.pielnet.fr\/carnet\/wp-json\/wp\/v2\/media\/211"}],"wp:attachment":[{"href":"https:\/\/www.pielnet.fr\/carnet\/wp-json\/wp\/v2\/media?parent=202"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.pielnet.fr\/carnet\/wp-json\/wp\/v2\/categories?post=202"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.pielnet.fr\/carnet\/wp-json\/wp\/v2\/tags?post=202"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}